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16th May 2013 | 117 notes

nprfreshair:

Robert Caro, who has spent the past 37 years, writing his multi-volume biography of Lyndon Johnson, tells Dave Davies about how Johnson was a “great reader of men”:

When a new aide, a young aide [arrived] … he’d tell them how to talk to someone. He’d say, ‘Watch their eyes. Watch their hands. What they’re telling you with their eyes or their hands is more important than what they’re telling you with their mouth.’ He used to say, ‘Never let a conversation end because there’s always something that the man doesn’t want to tell you and the longer a conversation goes on, the easier it is for you to figure out what it is he doesn’t want to tell you.’ He had a unique ability to know what a man really wanted, what a man really was afraid of and of playing on those fears and those desires.”

LBJLibrary photo by Yoichi Okakmoto

Robert Caro, who has spent the past 37 years, writing his multi-volume biography of Lyndon Johnson, tells Dave Davies about how Johnson was a “great reader of men”:

When a new aide, a young aide [arrived] … he’d tell them how to talk to someone. He’d say, ‘Watch their eyes. Watch their hands. What they’re telling you with their eyes or their hands is more important than what they’re telling you with their mouth.’ He used to say, ‘Never let a conversation end because there’s always something that the man doesn’t want to tell you and the longer a conversation goes on, the easier it is for you to figure out what it is he doesn’t want to tell you.’ He had a unique ability to know what a man really wanted, what a man really was afraid of and of playing on those fears and those desires.”

LBJLibrary photo by Yoichi Okakmoto

I spit a large mass onto the pavement and looked up to see an officer watching me, wishing we were in Singapore so he could beat me to the ground with his club and be somewhat legal about it. God bless America, I thought.

15th May 2013

15th May 2013 | 5,499 notes

(Source: designed-for-life, via tomorrowmaybetomorrowmaybe)

9th May 2013 | 1 note

6th May 2013 | 30 notes

charlotte-gonzalez:

father and son

2011-2012

©charlotte gonzalez

(via gonzale)

6th May 2013 | 1,240 notes

geordiewood:

This month, in our annual Photo Issue, The FADER is publishing a feature on the epidemic of youth violence in Chicago, photographed by Daniel Shea. It’s no exaggeration to say this has been one of the most fulfilling projects that Daniel and I have ever worked on.

The feature is live online today. Over the duration of the week four extended edits will be posted along with conversations between Daniel and I.

This essay was a deviation from past photo issues. Instead of publishing preexisting work we decided to commission one large essay with ambitious goals. Our choice to shoot on the ground in Chicago stemmed from the idea that the violent rhetoric that permeates contemporary rap music has a human cost that is too often overlooked. The FADER and many other magazines covering new music feature musicians that propagate cultures of violence (like Chief Keef, who Daniel shot for The FADER’s cover less than a year ago). With the magazine’s audience of young people in mind, we wanted to face that head on.

What resulted is 16 pages of photographs and a Q&A with veteran Chicago reporter Alex Kotlowitz. We aimed to depict what life in the South Side is like for young people, through individuals affected by violence, those participating in it and the grassroots effort to curb the spread of retaliatory crime which seems to have no end.

I would like to personally thank Daniel, my friend, for his incredible effort and determination working on this project, as well as the staff and publishers of The FADER for believing in it and to the men and women of CeaseFire who opened countless doors for us. Please spread the word and consider donating to their incredible effort.